#Sigma lens cap iso#

It’s easily fixed by applying a lens profile and this distortion is common with most standard zoom lenses covering a wide to short telephoto focal length. This level of distortion isn’t a major concern however.

Mild pincushion distortion also appears as you encroach 70mm. Leave the image untouched and you’ll be aware of barrel distortion at 24mm, which diminishes as you zoom in towards 35mm. It’s a similar story correcting distortion.

#Sigma lens cap iso#

To maximise its appeal with a wide range of users it has an optical design that we’re told is optimised for DSLRs and mirrorless cameras boasting a resolution of up to 50 million pixels.Ĭanon EOS R with EF-EOS R adapter, Sigma 24-70mm f/2.8 DG OS HSM Art, 1/200sec at f/2.8, ISO 640 The Sigma 24-70mm f/2.8 DG OS HSM Art is designed as a go-to lens for many different photographic applications. The Sigma 24-70mm f/2.8 DG OS HSM Art for DSLRs is a lens we’ve been intending to review since its arrival earlier this year, but how good is it and should those after one of the finest performing standard zoom lenses consider it? Sigma 24-70mm f/2.8 DG OS HSM Art review: features Canon mirrorless users, though, will need to use the Sigma MC-11 mount adapter. There is a mirrorless version the Sigma 24-70mm f2.8 AF DG DN Art is available in both Sony FE and L-mount versions for $1099 / £1049.

It replaces the ten-year old Sigma 24-70mm f/2.8 EX DG HSM and at around $1299 / £1149 is a more affordable alternative to the Canon EF 24-70mm f/2.8L II USM ($1699 / £2109) and Nikon AF-S 24-70mm f/2.8E ED VR ($2097 / £2099). The Sigma 24-70mm f/2.8 DG OS HSM Art is available in Nikon F and Canon EF DSLR mounts. The Sigma 24-70mm f/2.8 DG OS HSM Art flanked by the Canon EF 24-70mm f/2.8L II USM (left) and the Tamron 24-70mm f/2.8 Di VC USD G2 (right)